hail! hail! rock 'n' roll 4 - july 13 - 31
past exhibitions
NATHALIE SEAVER & DOLORES LUSITANA
"DECONSTRUCTING BEAUTY & URBAN ABSTRACTS"
Photography and Mixed Media
"DECONSTRUCTING BEAUTY & URBAN ABSTRACTS"
Photography and Mixed Media
May 5 - June 2, 2023
Read Shadow & Light magazine's feature article about Dolores and Nathalie.
Nathalie Seaver, "Golden Hour Poppy"
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Dolores Lusitana, "Loop d' Loop"
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STINA FOLKEBRANT
"DREAM ANIMALS"
Black & White Paintings
Presented in collaboration with the Women's International Study Center
"DREAM ANIMALS"
Black & White Paintings
Presented in collaboration with the Women's International Study Center
MAY 19 - 26, 2023
WISC fellow, Stina Folkebrant, in studio. Photo by Mark Berndt
Stina Folkebrant paints with black and white acrylic inspired by Chinese ink painting where the black is blended with water to achieve a grayscale. Her exhibition at Edition ONE Gallery focuses on animals, rocks, and trees painted on old embroidered sheets - like imprints of dreams in black and white.
Gianluca galtrucco
"TIME TRAVELER: Astronauts, Spaceships, Aliens, Planets…"
July 1 - July 29, 2022
Opening Reception: Friday, July 1, 5pm - 7pm
Book Signing: Saturday, July 2, 3pm - 5pm
Opening Reception: Friday, July 1, 5pm - 7pm
Book Signing: Saturday, July 2, 3pm - 5pm
This is the premiere exhibition in the West by the renowned Italian photographer, who now lives in Los Angeles. Galtrucco’s photographs combine cinematic constructs of imaginary worlds and his fascination with space travel and extraterrestrial life. An homage to Los Angeles’ former glory as the world’s aerospace capital and the Southwest’s legendary sightings of space aliens and UFOs in Roswell, New Mexico as well as Nevada’s “Extraterrestrial Highway” Route 375. The exhibition opens on the 75th anniversary of the alleged sightings of UFOs in Roswell, NM and coincides with Roswell's UFO Festival.
Harvey Maisel
"A place Like No Other"
SEPTEMBER 10 - NOVEMBER 5, 2022
Sunday - Tuesday 1pm - 4pm
Closing Reception: Friday, October 29, 5pm - 7pm
Sunday - Tuesday 1pm - 4pm
Closing Reception: Friday, October 29, 5pm - 7pm
Harvey Maisel, his first solo exhibition in Santa Fe, A Place Like No Other, opened Friday, September 10th, 2021. The show of black & white prints was a mystical journey through the iconic and surprising formations found in the New Mexico Badlands.
Maisel, who was formerly a NYC school teacher and a Senior Photo Lab Technician at Newsweek Magazine, charted a new lifestyle four years ago and moved to Santa Fe. Here he deepened his lifelong passion of hiking and photography, focusing on the Bisti Badlands, a part of the Navajo Nation in Northwest NM, along with seasoned Navajo guide and friend, Kialo Winters.
“Since moving here, I have made numerous visits to not only Bisti Badlands, but Ah-Shi-Sle-Pah and the Lybrook Fossil Area. I hope my images, not only delight my viewers, but trigger the emotions that I feel when I photograph these mysterious and awe-inspiring formations,” shares Maisel.
Lovers of nature and of photography will discover a world they’ve never imagined existed, right here in New Mexico!
Maisel, who was formerly a NYC school teacher and a Senior Photo Lab Technician at Newsweek Magazine, charted a new lifestyle four years ago and moved to Santa Fe. Here he deepened his lifelong passion of hiking and photography, focusing on the Bisti Badlands, a part of the Navajo Nation in Northwest NM, along with seasoned Navajo guide and friend, Kialo Winters.
“Since moving here, I have made numerous visits to not only Bisti Badlands, but Ah-Shi-Sle-Pah and the Lybrook Fossil Area. I hope my images, not only delight my viewers, but trigger the emotions that I feel when I photograph these mysterious and awe-inspiring formations,” shares Maisel.
Lovers of nature and of photography will discover a world they’ve never imagined existed, right here in New Mexico!
CEREMONY: Coming of Age | Mescalero Apache Maidens
photography by Jan Butchofsky
March - June, 2020
Read about the exhibition in pasatiempo
PURCHASE PRINTS ONLINE
As an invited guest of the family, Jan Butchofsky was asked to witness the Coming of Age Ceremony of two maidens during two separate celebrations and was honored to bear witness with my camera to these sacred and very private preparations and ceremonies.
The Mescalero Apache people, descendants of the great warrior Geronimo, have a strong ceremonial tradition to initiate girls into womanhood. Considered one of the most sacred celebrations of the Mescalero, the four-day rite of passage for the maiden reflects the tribe’s way of life involving complete community commitment. Preparation for the Coming of Age Ceremony begins at least a year in advance with every detail meticulously carried out. Pollen from water plants is gathered for blessings, teepee poles are cut and canvas is sewn.
The maiden's dress is a very important part of the celebration, often made of deer hides harvested especially for the occasion. Dancers are arranged, most notably the dancers of the Mountain Gods, and a Medicine Man and Medicine Woman are selected. Cattle are raised and butchered so that elaborate feasts of traditional food can be served to all the guests every day of the ceremony.
The four-day maiden ceremony reflects the four days needed to create the world and the maiden embodies the virtues of the White Painted Woman, who gave the Apache’s their virtues, pleasant aspects of life and longevity. Many rituals and blessings are performed during the celebration, culminating in all-night dance, drumming and singing with the maiden and her attendants in the Ceremonial Tipi. At dawn, transformed, the maiden runs towards her future and the hopes of her community.
The Mescalero Apache people, descendants of the great warrior Geronimo, have a strong ceremonial tradition to initiate girls into womanhood. Considered one of the most sacred celebrations of the Mescalero, the four-day rite of passage for the maiden reflects the tribe’s way of life involving complete community commitment. Preparation for the Coming of Age Ceremony begins at least a year in advance with every detail meticulously carried out. Pollen from water plants is gathered for blessings, teepee poles are cut and canvas is sewn.
The maiden's dress is a very important part of the celebration, often made of deer hides harvested especially for the occasion. Dancers are arranged, most notably the dancers of the Mountain Gods, and a Medicine Man and Medicine Woman are selected. Cattle are raised and butchered so that elaborate feasts of traditional food can be served to all the guests every day of the ceremony.
The four-day maiden ceremony reflects the four days needed to create the world and the maiden embodies the virtues of the White Painted Woman, who gave the Apache’s their virtues, pleasant aspects of life and longevity. Many rituals and blessings are performed during the celebration, culminating in all-night dance, drumming and singing with the maiden and her attendants in the Ceremonial Tipi. At dawn, transformed, the maiden runs towards her future and the hopes of her community.
ASMP NEW MEXICO & Edition one gallery
present
A CONTEMPORARY LOOK AT CHILDHOOD IN NEW MEXICO
OPENING RECEPTION: SATURDAY, OCTOBER 19, 5 - 7PM
OCTOBER 4 - OCTOBER 31, 2019
THURSDAY - SUNDAY 11AM - 4PM
A Contemporary Look at Childhood in New Mexico is focused on the experience of growing up in New Mexico, and is reflective of our state’s own unique combination of cultural, physical, and historical characteristics. The exhibition considers the complex reality of contemporary childhood shaped by diverse cultures and set in the vast and varied New Mexican landscape. We asked our membership of professional photojournalists, commercial, editorial, and fine art photographers to search through their archives to show us images made over the last 20 years that best reflect their perceptions of childhood in New Mexico, either through observation or their own personal experiences.
The ASMP-NM member exhibition runs concurrently with The Once and Future Child: A Photographic History of Childhood in New Mexico, an exhibit curated by Searchlight New Mexico, that draws upon the earliest artifacts of photography in the state. A Contemporary Look at Childhood in New Mexico is also a part of CENTER’s Review Santa Fe Photo Festival, the annual internationally recognized juried portfolio review event. A percentage of the proceeds from the exhibition support the Child Counseling Center and Play Therapy Institute of New Mexico, an organization that aims to strengthen the innate creativity and resilience of children, families and communities in New Mexico through play therapy.
The ASMP-NM member exhibition runs concurrently with The Once and Future Child: A Photographic History of Childhood in New Mexico, an exhibit curated by Searchlight New Mexico, that draws upon the earliest artifacts of photography in the state. A Contemporary Look at Childhood in New Mexico is also a part of CENTER’s Review Santa Fe Photo Festival, the annual internationally recognized juried portfolio review event. A percentage of the proceeds from the exhibition support the Child Counseling Center and Play Therapy Institute of New Mexico, an organization that aims to strengthen the innate creativity and resilience of children, families and communities in New Mexico through play therapy.
KEVIN HORAN
"GOATS AND SHEEP A Portrait Farm"
Opening Reception: Friday, July 26, 5 - 7pm
ARTIST TALK & BOOK SIGNING:
Saturday, July 27, 3 - 5pm
presented at
photo-eye Bookstore Project Space
1300 Rufina Circle, Suite A3, Santa Fe, NM 87507
photo-eye Bookstore Project Space
1300 Rufina Circle, Suite A3, Santa Fe, NM 87507
Tim Wong | Akiko Hirano
"Touching stone - A journey of the mind"
by appointment 505 570.5385
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“Passage” Tim Wong
Selenium-toned silver-gelatin print |
Akiko Hirano
Japanese Calligraphy "Footfalls echo in the memory, Down the passage we did not take, Towards the door we never opened." - T.S. Eloit |
artist in residence
Memphis Barbree
Opening reception: January 11, 2019 | 4-7 pm
January 3 - January 29, 2019
Edition ONE Gallery is honored to host Memphis Barbree as an Artist in Residence for the month of January, 2019. Barbree is a landscape and documentary photographer, traveler, and explorer who photographs the interplay of life’s essential elements and natural forces - earth, sky, wind, water, fire, light and time. Memphis’ life experiences have given her a deep sense of unity with these forces. Her landscape images express the power, beauty and mysteries she finds as she journeys in communion with the world around her. Her training as a writer and background as a newspaper reporter draw her to also explore and document places and events of significance in the journey of humanity.
Memphis honed her craft of the fine print by spending over a decade studying under and assisting distinguished photographer George DeWolfe - a student of Ansel Adams and Minor White. Her archival pigment and platinum prints are highly regarded for their clarity and quality and collected privately and publicly.
Memphis honed her craft of the fine print by spending over a decade studying under and assisting distinguished photographer George DeWolfe - a student of Ansel Adams and Minor White. Her archival pigment and platinum prints are highly regarded for their clarity and quality and collected privately and publicly.
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Western and Whimsical Art of Ed Larson Opening Reception: Friday, November 9 5pm - 7pm Artist in Residence: November - December 2018 Thursday - Saturday 4pm - 7pm Edition ONE is delighted to invite our long-time friend, world-class folk-artist and raconteur, Ed Larson, for a one-man show in a gallery with even more history than his former stables up the road.
For two, glorious, probably cold, definitely colorful, months we will be showing Wonderful Ed’s Western Art and Whimsical Sculptures. Come inside to see Ed’s art, share some hot cider or cocoa, sit with Ed by a cracklin’ fire, and hear stories of the fascinating characters that have come through Ed’s 87 years of life - 30 of them spent here in Santa Fe, 20 of those 30 on Canyon Road. As part of the Santa Fe Artists in Residence you can catch Ed working in studio every Thursday, Friday and Saturday evening from 4-7pm. |
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Untitled (the eye), 2016 © Marina Font
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A Contemporary Reference of the Human Condition highlights photographic work coming from the top echelon of Photolucida’s Critical Mass competition – photographers are from the United States, Israel, Mexico, Japan, South Korea, Germany, Iceland, Denmark, and Switzerland. The work in this exhibition was juried to the top by 200 international curators, publishers, gallerists, editors, and museum directors.
Curatorial statement from Alexa Becker, Kehrer Verlag Publishers:
The Critical Mass TOP 50 selection is an impressive array of photography. This is true due to the diversity in subject, but also by the variety of artistic approaches in which the medium is used, expanded and explored. Bodies of work in this selection employ documentary, street, and conceptual photography. And, some images stretch photography’s limits with the use of multimedia processes. Even with all of these different genres, subject matters and creative processes, one theme weaves its thread throughout - our very existence in this ever-changing and challenging world.
How do we as an international society deal with persecution, poverty, diverging religious beliefs, sexuality, psychological transformation and the increasing threat to the ecological system that sustains us?
While some of the images in A Contemporary Reference of the Human Condition do not speak directly to current world issues, they stem from fundamental emotions like love, fear, or the feeling of separation. As far apart as these photographs may seem at first glance, seen together they engage us as an inspiring reference document of the human condition in the 21st century.
Curatorial statement from Alexa Becker, Kehrer Verlag Publishers:
The Critical Mass TOP 50 selection is an impressive array of photography. This is true due to the diversity in subject, but also by the variety of artistic approaches in which the medium is used, expanded and explored. Bodies of work in this selection employ documentary, street, and conceptual photography. And, some images stretch photography’s limits with the use of multimedia processes. Even with all of these different genres, subject matters and creative processes, one theme weaves its thread throughout - our very existence in this ever-changing and challenging world.
How do we as an international society deal with persecution, poverty, diverging religious beliefs, sexuality, psychological transformation and the increasing threat to the ecological system that sustains us?
While some of the images in A Contemporary Reference of the Human Condition do not speak directly to current world issues, they stem from fundamental emotions like love, fear, or the feeling of separation. As far apart as these photographs may seem at first glance, seen together they engage us as an inspiring reference document of the human condition in the 21st century.
confluence:
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Alyssia Lazin & Pavel Kapic, husband and wife, have combined their art as photographer and painter to create a body of work entitled “Confluence”. The work embodies an interdisciplinary approach that shifts the traditional boundaries of their media. The writer Susan Sontag said “The painter constructs, the photographer discloses.” Lazin’s photographs, printed on canvas and paper are the inspiration and the initial imagery for Kapic’s mixed media paintings.
Much like other couples who have been influenced and inspired by one another, (Christo and Jeanne Claude, Gilbert and George, Marina Abramovic and Ulay), Lazin & Kapic decided to work together while maintaining their autonomy. Both are creating their own art yet collaborating, giving each other the freedom to work on their own terms.
About his collaborations with Lazin, Kapic shares, “We select the subject that is conducive to my interpretation. It has to inspire and challenge me. I try to respond to the photograph’s emotional underpinnings, first expanding on its theme in the margins, always respecting its structure and color tonality. Later I start intruding on the picture itself, while upholding the original intent. Thus the final piece is an amalgamation of our styles while the integrity of both is preserved. Through this process both artistic signatures are maintained, yet a new unique original has been born.”
This connecting of photography and painting is a smooth and easy evolution of their individual styles that ultimately results in a new artistic dimension. The result is a body of work titled “Confluence" - converging, meeting, flowing together - a labor of mutual respect and inspiration that yields new meaning to their art.
Much like other couples who have been influenced and inspired by one another, (Christo and Jeanne Claude, Gilbert and George, Marina Abramovic and Ulay), Lazin & Kapic decided to work together while maintaining their autonomy. Both are creating their own art yet collaborating, giving each other the freedom to work on their own terms.
About his collaborations with Lazin, Kapic shares, “We select the subject that is conducive to my interpretation. It has to inspire and challenge me. I try to respond to the photograph’s emotional underpinnings, first expanding on its theme in the margins, always respecting its structure and color tonality. Later I start intruding on the picture itself, while upholding the original intent. Thus the final piece is an amalgamation of our styles while the integrity of both is preserved. Through this process both artistic signatures are maintained, yet a new unique original has been born.”
This connecting of photography and painting is a smooth and easy evolution of their individual styles that ultimately results in a new artistic dimension. The result is a body of work titled “Confluence" - converging, meeting, flowing together - a labor of mutual respect and inspiration that yields new meaning to their art.
"The Simple Arrangement of Things" 20"x24" by Mark Berndt
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The Simple Arrangement of Things
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Mark Berndt observes, arranges and preserves random occurrences as pictured poems. Subject matter is largely irrelevant. When and where they’ll appear is unpredictable. He balances subject, line and color in a deceptively simple frame that strains out the clutter and leads us to share that thing he saw - that thing we might have missed.
Mark Berndt’s career as a professional in commercial film and photography required the assembly and direction of concept, cast and crew. But his personal expression revels in the simple arrangement of things as they appear in the world. Juxtaposition, humor, phenomena and romance catch his eye and feed his soul. Pleasure in capturing the moment meets process in polishing the image, to clarify his vision, to punctuate the story, to transfer the experience of the moment observed.
Mark Berndt’s career as a professional in commercial film and photography required the assembly and direction of concept, cast and crew. But his personal expression revels in the simple arrangement of things as they appear in the world. Juxtaposition, humor, phenomena and romance catch his eye and feed his soul. Pleasure in capturing the moment meets process in polishing the image, to clarify his vision, to punctuate the story, to transfer the experience of the moment observed.
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DISAPPEARING WORLDa photographic document
July 28 - September 8, 2017
1036 Canyon Road, Santa Fe Open Saturdays 1-5pm and By Appointment Call 505 570-5385 Disappearing World is a group exhibition by 24 photographers reminding us of the tenuous nature of the familiar; inviting us to take notice of all that we have to lose - species, environment, traditions, rights, values, and even ourselves.
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HAIL, HAIL ROCK 'N' ROLL: PORTRAITS OF AN ERAFeaturing the photography of Baron Wolman, Lisa Law, Henry Diltz, William Coupon, Bob Seidemann and David Michael Kennedy Exclusive small edition prints for sale. Please inquire for pricing. |
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Lisa Law & Ray Belcher:
VINTAGE NEW MEXICO
Flame, Two Flutes, Galisteo, NM 1983
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La Fonda Hotel, Santa Fe, NM 1969
Lisa Law has spent five decades photographing the shifting tides of American culture. Her reputation is built on photographs unique for their startling sense of intimacy and spontaneity. Her early New Mexico photographs feature intimate portraits of Dennis Hopper and Janis Joplin, and chronicle the era of the hippie migration from the west and east coasts to New Mexico, along with their cultural crossings with the traditional elders of Taos Pueblo, and communities of Truchas, El Rito, and Abiquiu and Santa Fe.
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Kevin HoranCHATTEL: A Portrait Study
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About Kevin Horan:
The world around us pulses with living, throbbing, wanting, aware creatures. After a move from city to country, my new neighbors--sheep--greeted me in a chorus of voices each time I returned home. Soprano, bass, raspy, soft, quick, slow: they were all different. It occurred to me these creatures were all individuals. Deep experience in making portraits of humans made me wonder if I could capture them as such. In their faces, I was looking not for animals who looked like people, but for non-human persons. Treated as if they were customers of the small-town photo studio, they seem to have personalities. Perhaps they do, and the photograph allows us to see them. Or perhaps the language of the photo cues us to generate the impression of a personage. When we make a portrait, what is it that we're seeing? Do the pictures here prove that the ungulates have personalities? This is a work about portraiture--what it does and how it works. These pictures ask for engagement of our own feelings about the souls within other beings, human or otherwise, and how visible they are from out here. |
March 10 - June 2, 2017
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David Michael Kennedy: CROSSROADS – a retrospective of Kennedy’s platinum palladium Landscapes and American Indian Dance photographs.
David Michael Kennedy has been creating world-class photographs for over 4 decades. From his iconic portraits of musicians, actors and artists in NYC to his work in the New Mexico landscape and celebration of American Indian Dance Work, David’s hand-crafted platinum/palladium prints are valued by museums and collectors around the world. As a passionate practitioner and mentor, he shares his mastery of this traditional process with those fortunate students who seek out his workshops. Working from his studio/darkroom/gallery in El Rito, NM, his photography is recognized worldwide for the sensitivity, respect and impeccable craftsmanship that imbues each image and signature-worthy print. |
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A portfolio of significant imagery by 20 iconic and emerging New Mexico photographers curated by Jerry Courvoisier
The 20 New Mexico Photographers limited edition prints are sold as single prints as well as 12 elegantly boxed 40 print portfolio sets. Each print in the limited edition is numbered 1-26 and signed by each photographer. The unique Square format selected for this print edition showcases the photography in a 7.75 x 7.75 inch square window on a cut sheet, 8.5 x 9.25 inches. The Images are printed on an elegant, warm, 100% cotton, Natural Fine Art Paper. Bonnie Bishop, Tony Bonanno, Steve Fitch, Lenny Foster, David Michael Kennedy, Karen Kuehn, David Marks, Norman Mauskopf, Elliott McDowell, Walter Nelson, Tony O’Brien, Jack Parsons, Jane Phillips, Jay Ritter, Alan Ross, John Scanlan, Jennifer Schlesinger, Jennifer Spelman, Jim Stone, Rumi Vesselinova
Editions 14-26 available individually for $165 ea.
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PHOTOGRAPHERS OF
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PHOTOGRAPHERS OF 'WOMAN'Cissie Ludlow, Dolores Lusitana, Ellchemi Ossorio, Gabriella Marks, Heather Ross, JoAnn Carney, Karen Ballard, Kate Lindsey,
Karen Novotny, Lisa Blair, Mark Berndt, Patricia Galagan, Pilar Law, Richard Khanlian, Smith Eliot, Steven Wilson, Tony Bonanno, and Zoe Marieh Urness. |
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PHOTOGRAPHERS OF 'HEART'Mark Berndt, Lisa Blair, Tony Bonanno, Julie Brokken, Andrea Brookhart, Eddie Carafe, William Coupon, Gay Dillingham, Erin Dodson, Rich Ferguson, Rebecca Gaal, Lisa Gizara, Cat Gwynn, Isaac Hernandez, Angie Jennings, Diana Jeong, Gurudarshan Khalsa, Richard Khanlian, Michael Kirchoff, Sabra LaVaun, Lei Lavande, Lisa Law, Pilar Law, Kate Lindsey, Dolores Lusitana, Gabriella Marks, Carrie McCarthy, Marty Mills, Erwin More, Steven Moses, Lea Murphy, Janet O’Neal, Ellchemi Ossorio, Irene Owsley, Daniel Quat, Jay Ritter, Andy Romanoff, Jane Rosemont, Ward Russell, Cleveland Storrs, Tom Styrkowicz, Fred Trease, Glen & Gayle Wans, Cynthia West, Everard Williams, Steve Wilson, Baron Wolman, Angel Wynn
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PHOTOGRAPHERS OF 'SOFT'Mark Berndt, Lisa Blair, Tony Bonanno, William Coupon, Dianne Duenzl, Amy Kawadler, Reno Kleen, Lisa Law, Pilar Law, Eric Lawton, Douglas Magnus, Carrie McCarthy, Daniel Milnor, Erwin More, Irene Owsley, George Rodrigue, Yvette Roman, Garry Transue, Baron Wolman,
and Angel Wynn Prints in SOFT are available as framed prints. Please email us for pricing and availability.
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